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In the Shadow of the Master

Classic Tales by Edgar Allan Poe

ebook
1 of 1 copy available
1 of 1 copy available

A “compulsively readable collection” of Poe’s short stories accompanied by essays from Jeffery Deaver, Stephen King, Lisa Scottoline, and many more (Booklist, starred review).
 
In the Shadow of the Master is an exceptional collection of classic stories from the lord of literary darkness himself—the inimitable Edgar Allan Poe—accompanied by enthralling essays from twenty of his acolytes and admirers, including New York Times-bestselling authors and winners and nominees for the prestigious award named after Edgar by the Mystery Writers of America. It’s a must-have for thriller and mystery fans of all ages, with contributions from:
 
T. Jefferson Parker * Jan Burke * Lawrence Block * P.J. Parrish * Lisa Scottoline * Laura Lippman * Michael Connelly * Laurie R. King * Tess Gerritsen * Stephen King * Steve Hamilton * Edward D. Hoch * Peter Robinson * S.J. Rozan * Nelson DeMille * Sara Paretsky * Thomas H. Cook * Jeffery Deaver * Sue Grafton
 
“A wonderful treat for the Poe connoisseur, or a perfect introduction to his works.” —Charlotte Observer

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    • Publisher's Weekly

      November 3, 2008
      With Edgar Allan Poe turning 200 on January 19, 2009, publishers are paying tribute to him with anthologies that recognize his contribution to both the mystery and the horror genres.
      In the Shadow of the Master
      Edited by Michael Connelly
      . Morrow
      , $24.95 paper (416p) ISBN 978-0-06-169039-6

      The Mystery Writers of America presents a collection of Poe tales with afterwords by 20 distinguished writers who honor Poe's powerful influence on the modern crime story. Stephen King, reflecting on “The Tell-tale Heart,” credits Poe with writing “the first tale of criminal sociopathy.” Lisa Scottoline, in her perceptive appreciation of “William Wilson,” cites a score of contemporary works that silently acknowledge its influence in their exploration of “the spookiness that comes from the fragmenting or doubling of the self, and the splintering of identity.” P.J. Parrish, writing reverently on “The Black Cat,” praises it as, among other things, “an early example of genre-crossing” in its splice of horror and detection. Contributions from Lawrence Block, Sue Grafton, Sara Paretsky, Tess Gerritsen and others—many of them Edgar winners—vary in their appreciation from the deeply personal to the respectfully analytical, and from the lightly humorous to the deadly earnest.

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  • English

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