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Ghost Train to the Eastern Star

On the Tracks of the Great Railway Bazaar

Audiobook
1 of 1 copy available
1 of 1 copy available
Best-selling travel writer Paul Theroux first took readers on a grand expedition riding the world's railways in his 1978 classic The Great Railway Bazaar. With this vibrant and illuminating travelogue that shows just how much the world has changed in 30 years, he returns to the rails of Eastern Europe, Central Asia, India, China, Japan, and Siberia for an exceptionally detailed and entertaining update that will entice fans and newcomers alike.
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    • AudioFile Magazine
      A prolific and popular author takes a nostalgic train trip from England to the Orient, one he took 30 years before and now retraces. Some may enjoy his penetrating observations and opinions; some may find them little more than a wordy diary. John McDonough's gravelly voice, snail's pace, and lack of enthusiasm give the impression of someone nearing a night's sleep. He creates no special accents but pronounces the foreign names and places with ease. Theroux's observations of travel, from the drunken conductor to the rain on the windows, might pique one's attention for a while, but the average listener may want to leave the train before the long journey ends. J.A.H. (c) AudioFile 2009, Portland, Maine
    • Publisher's Weekly

      Starred review from May 5, 2008
      Acclaimed travel writer and novelist Theroux hasn’t lost his affection for trains, but his view of the scenery outside has darkened in his latest odyssey. Reprising the itinerary of his 1973 The Great Railway Bazaar
      (with a detour around Iran and Afghanistan into the Central Asian republics), Theroux takes a contrarian stance toward the transformation of Asia over the intervening decades. The persistence of familiar, authentic, rural decrepitude usually heartens him, while the teeming modernity of great cities—the computer-and-oxcart madhouses of Mumbai and Bangalore, the neurotic orderliness of Singapore, the soullessness of Tokyo—appalls. The book is often an elegy for fixity in a globalizing age when everyone is a traveler anxious to get to America and “the world is deteriorating and shrinking to a ball of bungled desolation.” Fortunately, Theroux is too rapt an observer of his surroundings and himself to wallow long in reaction or nostalgia; readers will find his usual wonderfully evocative landscapes and piquant character sketches (and, everywhere, prostitutes soliciting him—most stylishly in Hanoi, where they ride up on motorcycles crying, “You come! Boom-boom!”). No matter where his journey takes him, Theroux always sends back dazzling post cards.

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