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Barter juxtaposes nineteenth-century law and literature to show how Black writers counterintuitively used legal forms to reimagine their own relationships to time and place. Organized around four legal forms—appeal, confession, jurisdiction, and precedent—this book demonstrates how Black writers creatively used them to challenge the logics of their oppression. Reading Black writers not merely as witnesses or victims but as visionaries for what the legal system could be, this book excavates the importance of legal thinking in the African American literary tradition.