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Becoming Belafonte

Black Artist, Public Radical

ebook
1 of 1 copy available
1 of 1 copy available
This biography of the singer, actor, and fearless anti-racism activist is "so engaging that readers will crave a sequel" (Kirkus Reviews).
A son of poor Jamaican immigrants who grew up in Depression-era Harlem, Harry Belafonte became the first black performer to gain artistic control over the representation of African Americans in commercial television and film. Forging connections with an astonishing array of consequential players on the American scene in the decades following World War II—from Paul Robeson to Ed Sullivan, John Kennedy to Stokely Carmichael—Belafonte established his place in American culture as a hugely popular singer, matinee idol, internationalist, and champion of civil rights, black pride, and black power.
In Becoming Belafonte, Judith E. Smith presents the first full-length interpretive study of this multitalented artist. She sets Belafonte's compelling story within a history of American race relations, black theater and film history, McCarthy-era hysteria, and the challenges of introducing multifaceted black culture in a moment of expanding media possibilities and constrained political expression. Smith traces Belafonte's roots in the radical politics of the 1940s, his careful negotiation of the complex challenges of the Cold War 1950s, and his full flowering as a civil rights advocate and internationally acclaimed performer in the 1960s. In Smith's account, Belafonte emerges as a relentless activist, a questing intellectual, and a tireless organizer—and a performer who never shied away from the dangerous crossroads where art and politics meet.
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    • Booklist

      September 15, 2014
      Born to poor Jamaican immigrants, Belafonte grew up between Depression-era Harlem and Jamaica, learning to skillfully navigate the crosscurrents of culture, race, and class. That social-navigation talent and his own many artistic talents led him to become one of the premiere figures in black culture, fighting early on for artistic control of his work in television and film. He demanded stronger and richer representations of black culture and images. Smith traces Belafonte's early involvement in left-wing theater, which drew him into acting through his career as a popular calypso singer, matinee idol, and television and film star. All along, Belafonte carefully navigated the social landscape of the Red Scare that threatened the careers of any who stood up against McCarthy-era hysterics and later the particular demands of black nationalism that challenged the racially and culturally broader life Belafonte had carved for himself. Belafonte's artistic and activist careers had him crossing paths with prominent figures, including Paul Robeson, Ed Sullivan, John Kennedy, Stokely Carmichael, and Martin Luther King Jr. Photographs enhance this engaging look at a major figure in American cultural history.(Reprinted with permission of Booklist, copyright 2014, American Library Association.)

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